What can creative literature tell us about radical environmental change? Most people accept that literature can be closely connected to places. Whether it is Dickens’s London or Hardy’s Wessex, we also accept that imaginative works deliver something about the nature of place that does not necessarily come to us by any other means.
How then does this work in Australia? I have spent the past decade writing a literary history of the Western Australian wheatbelt and have sought in various ways to answer this question.
It is a regional literary history that nevertheless encompasses some of the nation’s finest writers — Albert Facey, Dorothy Hewett, Peter Cowan, Jack Davis, Randolph Stow, Elizabeth Jolley, Tom Flood, John Kinsella. Facey’s A Fortunate Life (1981) is a landmark in Australian autobiography; Hewett, Cowan and Stow helped define literary modernism in Australia; Jack Davis was a leading figure in the Aboriginal literary renaissance; and Jolley’s The Well (1986) and Flood’s Oceana Fine (1990) both won the Miles Franklin literary award.
What unites these works? Is it simply a quirk of fate that a sparsely populated hinterland in Australia’s most isolated state produces a body of literature that rivals in many ways the literary outputs of the great Australian metropolitan centres in Melbourne and Sydney?
Read the piece by an Associate Professor of English and Cultural Studies at the University of Western Australia, Tony Hughes-D'Aeth, on The Conversation - “Writing the WA wheatbelt, a place of radical environmental change.”